There was quite a response to the vihuela front I posted yesterday, so there might be an interest to see the finished project. The model is based on the instrument in the Cité de la Musique, inventory number E.7048. It is a fascinating example from several points of view. First, it is one of the few instruments from the 15th century in primarily original condition. The original is what we might characterize as a "working instrument" in that it is not constructed from expensive materials and has no decorations. The workmanship is clean and accurate but not exemplary, meticulous craftsmanship. But the most interesting aspect is the construction of the back. Since the design is quite broad, especially in the lower bouts, the back assembly was a critical consideration in the instrument's success. If a flat back had been chosen, it would have required thick wood or numerous struts. Either decision would have added considerable weight to the construction resulting in an unresponsive instrument. A vaulted back would have been tricky because of the width difference between the upper and lower bouts with the accentuated waist. The solution of the seven volutes was brilliant. The curve of the volutes allows the wood to be very thin and light while maintaining considerable strength due to the shape. The result is nothing less than brilliant.